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Комментарии к «Евгению Онегину» Александра Пушкина - Владимир Набоков
- Дата:13.07.2024
- Категория: Документальные книги / Критика
- Название: Комментарии к «Евгению Онегину» Александра Пушкина
- Автор: Владимир Набоков
- Просмотров:4
- Комментариев:0
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Описание онлайн-книги Комментарии к «Евгению Онегину» Александра Пушкина - Владимир Набоков:
Комментарии В. В. Набокова освещают многообразие исторических, литературных и бытовых сторон романа. Книга является оригинальным произведением писателя в жанре научно-исторического комментария. Набоков обращается к «потаенным слоям» романа, прослеживает литературные влияния, связи «Евгения Онегина» с другими произведениями поэта, увлекательно повествует о тайнописи Пушкина.Предназначена для широкого круга читателей и в первую очередь — для преподавателей и студентов гуманитарных вузов, а также для учителей и учащихся средней школы.
Критика
Аудиокнига "Комментарии к «Евгению Онегину» Александра Пушкина" от Владимира Набокова
📚 Великий русский поэт Александр Пушкин и его произведение "Евгений Онегин" стали неотъемлемой частью русской литературы. Владимир Набоков, известный писатель и литературовед, предлагает свой взгляд на этот шедевр в своих "Комментариях к «Евгению Онегину»".
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🖋️ Владимир Набоков - выдающийся русско-американский писатель, литературовед и преподаватель. Известен своими романами, такими как "Лолита" и "Защита Лужина". Набоков обладал уникальным стилем письма и глубоким знанием литературы.
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Критика
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XXXIV
Now greetings come, congratulations; Tatiana thanks them all. Then, when the turn of Eugene 4 arrived, the maiden's languid air, her discomposure, lassitude, engendered pity in his soul: he bowed to her in silence, 8 but somehow the look of his eyes was wondrous tender. Whether because he verily was touched or he, coquetting, jested,12 whether unwillfully or by free will, but tenderness this look expressed: it revived Tanya's heart.XXXV
The chairs, as they are pushed back, clatter; the crowd presses into the drawing room: thus bees out of the luscious hive 4 fly meadward in a noisy swarm. Pleased with the festive dinner, neighbor in front of neighbor wheezes; the ladies by the hearth have settled; 8 the maidens whisper in a corner; the green-baized tables are unfolded: to mettlesome cardplayers call boston and omber of the old,12 and whist, up to the present famous: monotonous family, all sons of avid boredom.XXXVI
Eight rubbers have already played whist's heroes; eight times they have changed their seats — 4 and tea is brought. I like defining the hour by dinner, tea, and supper. In the country we know the time without great fuss: 8 the stomach is our accurate Bréguet; and, apropos, I'll parenthetically note that in my strophes I discourse as frequently on feasts, on various12 dishes and corks, as you, divine Homer, you, idol of thirty centuries!XXXIX
But tea is brought: scarce have the damsels demurely of their saucers taken hold when from behind the door of the long hall 4 bassoon and flute sound suddenly. Elated by the thunder of the music, leaving his cup of tea with rum, the Paris of the surrounding townlets, Petushkóv, 8 goes up to Olga; Lenski, to Tatiana; Miss Harlikov, a marriageable maid of overripe years, is secured by my Tambovan poet;12 Buyánov has whirled off Dame Pustyakóv; and all have spilled into the hall, and in full glory shines the ball.XL
At the beginning of my novel (see the first fascicle) I wanted in Albano's manner 4 a Petersburg ball to describe; but, by an empty reverie diverted, I got engrossed in recollecting the little feet of ladies known to me. 8 Upon your narrow tracks, O little feet, enough roving astray! With the betrayal of my youth 'tis time I grew more sensible,12 improved in doings and in diction, and this fifth fascicle cleansed from digressions.XLI
Monotonous and mad like young life's whirl, the noisy whirl of the waltz revolves, 4 pair after pair flicks by. Nearing the minute of revenge, Onegin, chuckling secretly, goes up to Olga, rapidly with her 8 spins near the guests, then seats her on a chair, proceeds to talk of this and that; a minute or two having lapsed, he then12 again with her the waltz continues; all are amazed. Lenski himself does not believe his proper eyes.XLII
There the mazurka sounds. Time was, when the mazurka's thunder dinned, in a huge ballroom everything vibrated, 4 the parquetry cracked under heel, the window frames shook, rattled; now 'tis not thus: we, too, like ladies, glide o'er the lacquered boards. 8 But in [small] towns and country places, the mazurka has still retained its pristine charms: saltos, heel-play, mustachios12 remain the same; them has not altered highhanded fashion, our tyrant, sickness of the latest Russians.XLIV
Buyánov, my mettlesome cousin, toward our hero leads Tatiana with Olga; deft 4 Onegin goes with Olga. He steers her, gliding nonchalantly, and, bending, whispers tenderly to her some common madrigal, and squeezes 8 her hand — and brighter glows on her conceited face the rosy flush. My Lenski has seen it all; flares up, beside himself;12 in jealous indignation, the poet waits for the end of the mazurka and invites her for the cotillion.XLV
But no, she cannot. Cannot? But what is it? Why, Olga has given her word already to Onegin. Ah, good God, good God! 4 What does he hear? She could... How is it possible? Scarce out of swaddling clothes — and a coquette, a giddy child! Already she is versed in guile, 8 has learned already to betray! Lenski has not the strength to bear the blow; cursing the tricks of women, he leaves, calls for a horse,12 and gallops off. A brace of pistols, two bullets — nothing more — shall in a trice decide his fate.CHAPTER SIX
Là, sotto i giorni nubilosi e brevi,Nasce una gente a cui '1 morir non dole.
Petr.I
On noticing that Vladimir had vanished, Onegin, by ennui pursued again, by Olga's side sank into meditation, 4 pleased with his vengeance. After him Ólinka yawned too, sought Lenski with her eyes, and the endless cotillion 8 irked her like an oppressive dream. But it has ended. They go in to supper. The beds are made. Guests are assigned night lodgings — from the entrance hall12 even to the maids' quarters. Restful sleep by all is needed. My Onegin alone has driven home to sleep.II
All has grown quiet. In the drawing room the heavy Pustyakov snores with his heavy better half. 4 Gvozdin, Buyanov, Petushkov, and Flyanov (who is not quite well) have bedded in the dining room on chairs, with, on the floor, Monsieur Triquet 8 in underwaistcoat and old nightcap. All the young ladies, in Tatiana's and Olga's rooms, are wrapped in sleep. Alone, sadly by Dian's beam12 illumined at the window, poor Tatiana is not asleep and gazes out on the dark field.III
With his unlooked-for apparition, the momentary softness of his eyes, and odd conduct with Olga, 4 to the depth of her soul she's penetrated. She is quite unable to understand him. Jealous anguish perturbs her, 8 as if a cold hand pressed her heart; as if beneath her an abyss yawned black and dinned.... “I shall perish,” says Tanya,12 “but perishing from him is sweet. I murmur not: why murmur? He cannot give me happiness.”IV
Forward, forward, my story! A new persona claims us. Five versts from Krasnogórie, 4 Lenski's estate, there lives and thrives up to the present time in philosophical reclusion Zarétski, formerly a brawler, 8 the hetman of a gaming gang, chieftain of rakehells, pothouse tribune, but now a kind and simple bachelor paterfamilias,12 a steadfast friend, a peaceable landowner, and even an honorable man: thus does our age correct itself!V
Time was, the monde's obsequious voice used to extol his wicked pluck: he, it is true, could from a pistol 4 at twelve yards hit an ace, and, furthermore, in battle too once, in real rapture, he distinguished himself by toppling from his Kalmuk steed 8 boldly into the mud, swine drunk, and to the French fell prisoner (prized hostage!) — a modern Regulus, the god of honor,12 ready to yield anew to bonds so as to drain on credit at Véry's37 two or three bottles every morning.VI
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