Форма входа
0/0
Комментарии к «Евгению Онегину» Александра Пушкина - Владимир Набоков
- Дата:13.07.2024
- Категория: Документальные книги / Критика
- Название: Комментарии к «Евгению Онегину» Александра Пушкина
- Автор: Владимир Набоков
- Просмотров:4
- Комментариев:0
Уважаемые читатели!
Тут можно читать бесплатно Комментарии к «Евгению Онегину» Александра Пушкина - Владимир Набоков. Жанр: Критика. Так же Вы можете читать полную версию (весь текст) онлайн книги без регистрации и SMS на сайте Knigi-online.info (книги онлайн) или прочесть краткое содержание, описание, предисловие (аннотацию) от автора и ознакомиться с отзывами (комментариями) о произведении.
Описание онлайн-книги Комментарии к «Евгению Онегину» Александра Пушкина - Владимир Набоков:
Комментарии В. В. Набокова освещают многообразие исторических, литературных и бытовых сторон романа. Книга является оригинальным произведением писателя в жанре научно-исторического комментария. Набоков обращается к «потаенным слоям» романа, прослеживает литературные влияния, связи «Евгения Онегина» с другими произведениями поэта, увлекательно повествует о тайнописи Пушкина.Предназначена для широкого круга читателей и в первую очередь — для преподавателей и студентов гуманитарных вузов, а также для учителей и учащихся средней школы.
Критика
Аудиокнига "Комментарии к «Евгению Онегину» Александра Пушкина" от Владимира Набокова
📚 Великий русский поэт Александр Пушкин и его произведение "Евгений Онегин" стали неотъемлемой частью русской литературы. Владимир Набоков, известный писатель и литературовед, предлагает свой взгляд на этот шедевр в своих "Комментариях к «Евгению Онегину»".
🎧 В аудиокниге "Комментарии к «Евгению Онегину» Александра Пушкина" вы найдете глубокий анализ текста, интересные факты о создании произведения и тонкие нюансы, которые помогут вам лучше понять и полюбить эту классическую поэму.
🖋️ Владимир Набоков - выдающийся русско-американский писатель, литературовед и преподаватель. Известен своими романами, такими как "Лолита" и "Защита Лужина". Набоков обладал уникальным стилем письма и глубоким знанием литературы.
🔊 Сайт knigi-online.info предлагает вам возможность бесплатно и без регистрации слушать аудиокниги онлайн на русском языке. Здесь собраны лучшие произведения различных жанров, включая бестселлеры и классику мировой литературы.
📖 Погрузитесь в мир слова с помощью аудиокниг, наслаждайтесь произведениями в удобное для вас время. Используйте возможность не только читать, но и слушать книги, погружаясь в атмосферу каждого произведения.
Не упустите шанс расширить свой кругозор и насладиться лучшими произведениями мировой литературы прямо сейчас!
Погрузитесь в мир литературы с аудиокнигой "Комментарии к «Евгению Онегину» Александра Пушкина" от Владимира Набокова!
Критика
Читем онлайн Комментарии к «Евгению Онегину» Александра Пушкина - Владимир Набоков
Шрифт:
-
+
Интервал:
-
+
Закладка:
Сделать
XIX
My goddesses! What has become of you? Where are you? Hearken to my woeful voice: Are all of you the same? Have other maidens 4 taken your place without replacing you? Am I to hear again your choruses? Am I to see Russian Terpsichore's soulful volation? 8 Or will the mournful gaze not find familiar faces on the dreary stage, and at an alien world having directed a disenchanted lorgnette,12 shall I, indifferent spectator of merriment, yawn wordlessly and bygones recollect?XX
By now the house is full; the boxes blaze; parterre and stalls — all seethes; in the top gallery impatiently they clap, 4 and, soaring up, the curtain swishes. Resplendent, half ethereal, obedient to the magic bow, surrounded by a throng of nymphs, 8 Istómina stands: she, while touching with one foot the floor, gyrates the other slowly, and lo! a leap, and lo! she flies,12 she flies like fluff from Eol's lips, now twines and now untwines her waist and beats one swift small foot against the other.XXI
All clap as one. Onegin enters: he walks — on people's toes — between the stalls; askance, his double lorgnette trains 4 upon the loges of strange ladies; he has scanned all the tiers; he has seen everything; with faces, garb, he's dreadfully displeased; 8 with men on every side he has exchanged salutes; then at the stage in great abstraction he has glanced, has turned away, and yawned,12 and uttered: “Time all were replaced; ballets I long have suffered, but even of Didelot I've had enough.”5XXII
Amors, diaboli, and dragons still on the stage jump and make noise; still at the carriage porch the weary footmen 4 on the pelisses are asleep; still people have not ceased to stamp, blow noses, cough, hiss, clap; still, outside and inside, 8 lamps glitter everywhere; still, chilled, the horses fidget, bored with their harness, and round the fires the coachmen curse their masters12 and beat their palms together; and yet Onegin has already left; he's driving home to dress.XXIII
Shall I present a faithful picture of the secluded cabinet, where fashions' model pupil 4 is dressed, undressed, and dressed again? Whatever, for the lavish whim, London the trinkleter deals in and o'er the Baltic waves to us 8 ships in exchange for timber and for tallow; whatever hungry taste in Paris, choosing a useful trade, invents for pastimes,12 for luxury, for modish mollitude; all this adorned the cabinet of a philosopher at eighteen years of age.XXIV
Amber on Tsargrad's pipes, porcelain and bronzes on a table, and — joyance of the pampered senses — 4 perfumes in crystal cut with facets; combs, little files of steel, straight scissors, curvate ones, and brushes of thirty kinds — 8 these for the nails, those for the teeth. Rousseau (I shall observe in passing) was unable to understand how the dignified Grimm dared clean his nails in front of him,12 the eloquent crackbrain.6 The advocate of liberty and rights was in the present case not right at all.XXV
One can be an efficient man — and mind the beauty of one's nails: why vainly argue with the age? 4 Custom is despot among men. My Eugene, a second [Chadáev], being afraid of jealous censures, was in his dress a pedant 8 and what we've called a fop. Three hours, at least, he spent in front of glasses, and from his dressing room came forth12 akin to giddy Venus when, having donned a masculine attire, the goddess drives to a masqued ball.XXVI
With toilette in the latest taste having engaged your curious glance, I might before the learned world 4 describe here his attire; this would, no doubt, be daring; however, 'tis my business to describe; but “dress coat,” “waistcoat,” “pantaloons” — 8 in Russian all these words are not; in fact, I see (my guilt I lay before you) that my poor idiom as it is might be diversified much less12 with words of foreign stock, though I did erstwhile dip into the Academic Dictionary.XXVII
Not this is our concern at present: we'd better hurry to the ball whither headlong in a hack coach 4 already my Onegin has sped off. In front of darkened houses, alongst the sleeping street in rows the twin lamps of coupés 8 pour forth a cheerful light and project rainbows on the snow. Studded around with lampions, glitters a splendid house;12 across its whole-glassed windows shadows move: there come and go the profiled heads of ladies and of modish quizzes.XXVIII
Up to the porch our hero now has driven; past the hall porter, like a dart, he has flown up the marble steps, 4 has run his fingers through his hair, has entered. The ballroom is full of people; the music has already tired of dinning; the crowd is occupied with the mazurka; 8 there's all around both noise and squeeze; there clink the cavalier guard's spurs; the little feet of winsome ladies flit; upon their captivating tracks12 flit flaming glances, and by the roar of violins is drowned the jealous whispering of fashionable women.XXIX
In days of gaieties and desires I was mad about balls: there is no safer spot for declarations 4 and for the handing of a letter. O you, respected husbands! I'll offer you my services; pray, mark my speech: 8 I wish to warn you. You too, mammas: most strictly follow your daughters with your eyes; hold up your lorgnettes straight!12 Or else... else — God forbid! If this I write it is because I have long ceased to sin.XXX
Alas, on various pastimes I have wasted a lot of life! But to this day, if morals did not suffer, 4 I'd still like balls. I like riotous youth, the crush, the glitter, and the gladness, and the considered dresses of the ladies; 8 I like their little feet; but then 'tis doubtful that in all Russia you will find three pairs of shapely feminine feet. Ah me, I long could not forget12 two little feet!... Despondent, fervorless, I still remember them, and in sleep they disturb my heart.XXXI
So when and where, in what desert, will you forget them, madman? Little feet, ah, little feet! Where are you now? 4 Where do you trample vernant blooms? Brought up in Oriental mollitude, on the Northern sad snow you left no prints: 8 you liked the sumptuous contact of yielding rugs. Is it long since I would forget for you the thirst for fame and praises,12 the country of my fathers, and confinement? The happiness of youthful years has vanished as on the meadows your light trace.XXXII
Diana's bosom, Flora's cheeks, are charming, dear friends! Nevertheless, for me something about it makes more charming 4 the small foot of Terpsichore. By prophesying to the gaze an unpriced recompense, with token beauty it attracts the willful 8 swarm of desires. I like it, dear Elvina, beneath the long napery of tables, in springtime on the turf of meads,12 in winter on the hearth's cast iron, on mirrory parquet of halls, by the sea on granite of rocks.XXXIII
На этой странице вы можете бесплатно читать книгу Комментарии к «Евгению Онегину» Александра Пушкина - Владимир Набоков бесплатно.
Похожие на Комментарии к «Евгению Онегину» Александра Пушкина - Владимир Набоков книги
- Гамлет, принц датский - Уильям Шекспир - Драматургия
- Полное собрание рассказов - Владимир Набоков - Русская классическая проза
- Н В Гоголь, Повести, Предисловие - Владимир Набоков - Русская классическая проза
- Сыскные подвиги Тома Соуэра в передаче Гекка Финна - Марк Твен - Классическая проза
- Маленький клоун с оранжевым носом - Павел Амнуэль - Научная Фантастика
