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Autumn Killing - Mons Kallentoft
- Дата:05.11.2024
- Категория: Детективы и Триллеры / Триллер
- Название: Autumn Killing
- Автор: Mons Kallentoft
- Просмотров:0
- Комментариев:0
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Panelling, and shiny, tightly woven Oriental rugs that make her headache flare up again. Authentic, expensive, quite different from the cheap rugs bought at auction on the floors of her mum and dad’s flat. The worn leather of the armchairs shimmers in the light of the chandeliers and candelabra.
And the man in front of them.
He must be about seventy, Malin thinks. And right-handed. The embodiment of authority, and she tries to stay calm, not become defensive the way she knows she always is when she meets people higher up the social ladder than she could ever get.
All of this still exists.
The Social Democrats may have managed to create a superficial equality in this country for a while, but it’s thin and transparent and false.
Portraits of Count Axel Fagelsjo’s ancestors hang in a row above the panelling. Powerful men with sharp eyes. Warriors, many of them.
They are witness to Fagelsjo’s awareness that he’s better than the rest of us, worth more. Unless that’s just my own prejudice? Malin thinks.
There are still big differences between people in Sweden. Bigger than ever, perhaps, because there’s a professed political desire to create a blue sheen of equality, a mendacious glow, as if there’s still a green shimmer of cash casting a light over the lives of the poor.
The blues say we’re all equally valuable. That everyone should have the same opportunities. And then they repeat it. And it becomes a truth even if they implement policies that mean those with money in the bank keep on getting richer even in these troubled times.
The whole of society is tainted with lies, Malin thinks.
And those lies give rise to a feeling of being fooled, denied and rejected.
Maybe that’s how I feel, deep down, Malin thinks. Trampled on, without actually realising it.
Voiceless by nature.
And if you have neither words nor anyone’s ear, that’s when violence is born. I’ve seen it happen a thousand times.
Malin looks at the portraits in Fagelsjo’s sitting room, then at the stout, ruddy-cheeked count with the self-confident smile that has suddenly appeared.
New money, like Petersson’s. Old money, like Fagelsjo’s. Is there really any difference? And what on earth are inherited privileges doing in a modern society?
‘Thank you for seeing us,’ Malin says as she sits down on a ridiculously comfortable leather armchair, and Axel Fagelsjo stubs out his cigarette.
Fagelsjo smiles again, his smile is properly friendly now, he means us well, Malin thinks, but with all his privileges, he can probably afford to?
‘Of course I’m happy to see you. I understand why you’re here. I heard on the radio about Petersson, and it was only a matter of time before you came to see me.’
Zeke, sitting beside Malin, wary, evidently also affected by the old count’s presence.
‘Yes, we have reason to believe that he was murdered. So naturally that raises a number of questions,’ Zeke says.
‘I’m at your disposal.’
Fagelsjo leans forward, as if to demonstrate his interest.
‘To begin with,’ Malin says, ‘what were you doing last night and this morning?’
‘I was drinking tea with my daughter Katarina yesterday evening. Then, at ten o’clock, I came home.’
‘And after that?’
‘I was at home, as I said.’
‘Is there anyone who can confirm that?’
‘I’ve lived alone since my wife died.’
‘There are rumours,’ Zeke says, ‘that the family hit hard times and that was why you were forced to sell Skogsa to Petersson.’
‘And who would spread rumours like that?’
Fagelsjo’s eyes flashing with sudden anger, but nonetheless feigned anger, Malin thinks: no point trying to hide what everyone knows.
‘I can’t tell you that,’ Zeke says.
‘They’re just rumours,’ Fagelsjo says. ‘What they wrote in the Correspondent was nonsense. We sold the castle because it was time, it had served its role as the family seat. These are new times. Time had simply caught up with our way of life. Fredrik works for the Ostgota Bank, Katarina works in art. They don’t want to be farmers.’
You’re lying, Malin thinks. Then she thinks of her recent conversation with Tove, and feels sick at how, against her will, she had treated it like a work conversation, how she couldn’t break through and say the things that needed saying. How could you, Fors? How could anyone?
‘So there were no arguments?’ she goes on. ‘No disagreements?’
Fagelsjo doesn’t answer, and says instead: ‘I never met Petersson in relation to the sale. Our solicitors handled that, but I got the impression that he was one of those businessmen who want nothing more than to live in a castle. I daresay he had no idea of the work that requires, regardless of the amount of money one has to hire people to do it.’
‘He paid well?’
‘I can’t tell you that.’
Fagelsjo smiles at his own words, and Malin can’t tell if he’s being consciously ironic and mimicking Zeke’s words or not.
‘I have difficulty seeing what significance the amount might have for your investigation.’
Malin nods. They can find out the amount, if it proves to be important.
‘Had you passed the castle on to your son?’
‘No. The castle was still in my ownership.’
‘The sale must have been upsetting for you,’ Malin says. ‘After all, your ancestors had lived there for centuries.’
‘It was time, Inspector Fors. That’s all there was to it.’
‘And your children? Did they react badly to the sale?’
‘Not at all. I daresay they were happy about the money. I tried to find a place for the children at the castle, but it didn’t suit them.’
‘A place?’
‘Yes, let one of them take over the running of it, but they weren’t interested.’
‘Are you happy here?’ Zeke asks, looking around at the spacious apartment.
‘Yes, I’m happy here. I’ve lived here since the sale. In fact, I’m so happy here that I’d like to be alone now, if you have no more questions.’
‘What sort of car do you drive?’
‘I have two. A black Mercedes and a red Toyota SUV.’
‘That’s all for now,’ Zeke says, getting up. ‘Do you know where we can find your children?’
‘I presume you have their telephone numbers. Call them. I don’t know where they are.’
In the hall Malin notices a pair of black rubber boots. The mud on them is still wet.
‘Have you been out in the forest?’ she asks Fagelsjo, who has followed them to the door.
‘No, just down to the Horticultural Society Park. That’s quite muddy enough for me at this time of year.’
When the front door has closed Fagelsjo goes down the corridor towards the kitchen.
He picks up the phone. Dials a number that he has managed to memorise with great difficulty.
Waits for an answer.
Thinks about the instructions that need to be given, how abundantly clear he will need to be for the children to understand. Thinks: Bettina. I wish you were here now. So we could deal with this together.
‘The best of both worlds,’ Zeke says as they head back to the car.
‘Sorry?’
‘He lives, or would like to live, in the best of both worlds.’
‘He’s lying to us about the sale, that much is obvious. I wonder why? I mean, it’s common knowledge that they’d fallen on hard times. It was in the Correspondent.’
Zeke nods. ‘Did you see how he clenched his fists when you asked about the sale? It looked like he could hardly keep his anger under control.’
‘Yes, I saw,’ Malin says, opening the passenger door of the car and thinking about the feeling she had that Fagelsjo was only pretending to be angry. Why? she asks herself.
‘We need to dig deeper,’ Zeke says, looking at Malin, who looks as if she’s about to fall asleep, or start screaming for a drink.
I’ve got to talk to Sven. She’s gone right under the ice this time.
‘Let’s hope that’s exactly what Ekenberg and Johan are doing right now, digging deeper.’
‘And Karim must be basking in the glow of the flashbulbs as we speak,’ Zeke says.
17
Karim Akbar is absorbing the flashbulbs, his brain whirring as the reporters fire off their aggressive questions.
‘Yes, he was murdered. By a blow from a blunt object to the back of the head. And in all likelihood he was also stabbed in the torso.’
‘No, we don’t have the object. Nor the knife.’
‘We’ve got divers in the moat right now,’ he lies. The diving is already finished. ‘We may need to drain it,’ he says. The water is probably gone by now. His massaging of the truth is silly really, the reporters can easily check the moat, but Karim can’t help it, wants to show the hyenas who decides the speed they go at.
‘At present we don’t have a suspect. We’re looking into a range of possibilities.’
The crowd of grey figures before him, most of them shabbily dressed, in line with all the cliches about journalists.
Daniel Hogfeldt an exception. Smart leather jacket, a neatly ironed black shirt.
Karim can answer questions and think about other things at the same time, he’s done this so many times before.
Is that when it’s time to stop?
When autopilot kicks in?
When you start to mess about with the seriousness of the situation?
He can see himself standing in the room, like a well-drilled press officer in the White House, pointing at reporters, answering their questions evasively, all the while getting his own agenda across.
‘Yes, you’re right. There could be a number of people with reason to be unhappy with Jerry Petersson’s activities. We’re looking into that.’
‘And Goldman, have you spoken. .’
‘We’re keeping all our options open at present.’
‘We’re appealing to members of the public who may have seen anything interesting that night between. .’
Waldemar Ekenberg is leaning over the table in their strategy room, reading one of the files about Jochen Goldman.
Johan Jakobsson is slumped on the other side of the table, next to an IT expert who’s installing a monitor.
‘There’s an address and a phone number here. Vistamar 34. Belongs to a J.G.,’ Waldemar says.
‘Must be Jochen Goldman.’
‘This is from this year.’
‘What’s the context?’
‘Figures, some company.’
‘What’s the international dialling code?’
‘Thirty-four.’
‘That could be Tenerife, if he does live there. Vistamar. Definitely Spanish. Shall I call?’
‘Well, we want to talk to him.’
Johan leans back, reaching for the phone, makes the call.
‘No answer, but at least it rang. Doesn’t seem to have an answer machine.’
‘Did you expect him to? We’ll try again later.’
‘Malin’s parents live on Tenerife,’ Johan says.
‘Fucking hot down there.’
‘Maybe we should get Malin to make the call.’
‘What, you mean she should make the call because her parents live down there?’
Johan shakes his head.
‘Well, you’re getting to know her a bit now. She might get upset otherwise. She takes coincidences like that seriously.’
‘Yeah, she believes in ghosts,’ Waldemar says.
‘Hold off from making the call. Let her do it. If it is even Jochen Goldman’s number.’
Waldemar shuts the file.
‘I don’t get most of these figures. When’s the bloke from Eco getting here?’
An officer, they don’t yet know who, is supposed to be coming down by train the next day.
‘Tomorrow morning,’ Johan says.
Waldemar nods.
The Ostgota Bank at the corner of Storgatan and St Larsgatan. Just a stone’s throw from Malin’s flat on Agatan, but the two buildings couldn’t be more different. Malin’s block is late modern, from the sixties, low ceilings with plastic window frames installed in the mid-seventies. The Ostgota Bank is a showy art nouveau building in brown stone with an ornate interior.
But the rain is the same for all buildings, Malin thinks as she pulls open the heavy door and steps into the large foyer, all polished marble and a ten-metre high ceiling. The reception desk for the offices upstairs is to the left of the cashiers, who are scarcely visible behind thick bullet-proof glass.
Malin and Zeke have called Fredrik Fagelsjo’s mobile, but there was no answer. They tried him at home, no answer there either.
‘Let’s go to the bank and see if he’s there,’ Malin had said as they drove away from Axel Fagelsjo’s apartment, and now a red-haired, hostile-looking receptionist the same age as Malin is staring at her police ID.
‘Yes, he works here,’ the receptionist says.
‘Can we see him?’ Malin asks.
‘No.’
‘I see. We’re here on important police business. Is Fredrik Fagelsjo. .?’
‘You’re too late,’ the receptionist says neutrally, with a hint of triumph in her voice.
‘Has he finished for the day?’ Zeke asks.
‘He usually leaves at three on Friday. What’s this about?’
Never you mind about that, Malin thinks, saying: ‘Do you know where he might have gone?’
‘Try the Hotel Ekoxen. He’s normally in the bar there after work on Fridays.’
‘Friday beer?’
‘More like Friday cognac,’ the receptionist says with a warm smile.
‘Can you describe him to us? So we know who we’re looking for?’
A moment later Malin is holding the bank’s annual report in her hand. The glossy, smooth, dark-blue paper feels as if it’s going to wear a hole in the palm of her hand.
The Ekoxen.
One of the smartest hotels in the city.
Maybe the smartest of all, situated between the Tinnerback swimming pool and the Horticultural Society Park, a white-plastered building that looks like a sugar lump. The hotel’s piano bar has a view across the pool and is one of the most popular watering holes in the city. But not for me, Malin thinks. Way too far up its own fucking arse.
They roll slowly down Klostergatan towards the hotel through restrained yet persistent rain. She’s holding the photograph in the annual report in front of her. To judge by the picture, Fredrik Fagelsjo is about forty. His face is thin, dominated by a narrow, straight nose and a pair of anxious green eyes. He’s thin, unlike his father, and the blue blazer he’s wearing in the picture looks new. His shoulders are hunched, almost as if he’s afraid of falling, and there’s something evasive and hunted about his whole bearing.
Zeke pulls up in front of the entrance to the hotel. In the rear-view mirror Malin sees a side door open and someone steps out.
Fredrik Fagelsjo.
Is that you? Have you finished your Friday cognac?
‘I think Fagelsjo just left through the back door.’
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